Crowned by some as "the champion of the musical miniature", Satie found formality annoying, as is clearly evident in the manuscript for his quaint Gnossiennes. Appearing for the first time are humo...
The first Gymnopedie, a word coined by Satie himself, is perhaps the composer's most recognizable work. The melancholic nature of the melody lends itself well to the sombre mood of the french horn....
The first Gymnopedie, a word coined by Satie himself, is perhaps the composers most recognizable work. The melancholic nature of the melody lends itself well to the sombre mood of the clarinet.
The first Gymnopedie, a word coined by Satie himself, is perhaps the composer's most recognizable work. The melancholic nature of the melody lends itself well to the sombre mood of the flugel horn....
The first Gymnopedie, a word coined by Satie himself, is perhaps the composer’s most recognizable work. The melancholic nature of the melody lends itself well to a variety of solo voices (clarinet,...
The Three Gymnopdies are the ultimate in quiet minimal pieces. They have been recorded by many instruments from synthesizer to soprano saxophone. Any one of these pieces would be a great change of...
The Three Gymnopédies are the ultimate in quiet minimal pieces. They have been recorded by many instruments from synthesizer to soprano saxophone. Any one of these pieces would be a great change o...
